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  • Sales Rank: #2730577 in Books
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Kamis, 26 April 2012

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Selasa, 24 April 2012

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Arnold: The Education of a Bodybuilder, by Arnold Schwarzenegger

Five-time Mr. Universe, seven-time Mr. Olympia, and Mr. World, Arnold Schwarzenegger is the name in bodybuilding. Here is his classic bestselling autobiography, which explains how the “Austrian Oak” came to the sport of bodybuilding and aspired to be the star he has become.

I still remember that first visit to the bodybuilding gym. I had never seen anyone lifting weights before. Those guys were huge and brutal….The weight lifters shone with sweat; they were powerful looking, Herculean. And there it was before me—my life, the answer I'd been seeking. It clicked. It was something I suddenly just seemed to reach out and find, as if I'd been crossing a suspended bridge and finally stepped off onto solid ground.

Arnold shares his fitness and training secrets—demonstrating with a comprehensive step-by-step program and dietary hints how to use bodybuilding for better health. His program includes a special four-day regimen of specific exercises to develop individual muscle groups—each exercise illustrated with photos of Arnold in action.

For fans and would-be bodybuilders, this is Arnold in his own words.

  • Sales Rank: #30864 in Books
  • Published on: 1993-01-01
  • Released on: 1993-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 9.25" h x .70" w x 6.31" l, 1.01 pounds
  • Binding: Paperback
  • 256 pages

About the Author
Arnold Schwarzenegger served as governor of California from 2003 to 2011. Before that, he had a long career, starring in such films as the Terminator series; Stay Hungry; Twins; Predator; and Junior. His first book, Arnold: The Education of a Bodybuilder, was a bestseller when published in 1977 and, along with his Encyclopedia of Modern Bodybuilding, has never been out of print since.

Excerpt. © Reprinted by permission. All rights reserved.
Chapter One

"Arnold! Arnold!"

I can still hear them, the voices of my friends, the lifeguards, bodybuilders, the weight lifters, booming up from the lake where they were working out in the grass and trees.

"Arnold -- come on!" cried Karl, the young doctor who had become my friend at the gym...

It was the summer I turned fifteen, a magical season for me because that year I'd discovered exactly what I wanted to do with my life. It was more than a young boy's mere pipe dream of a distant, hazy future -- confused fantasies of being a fireman, detective, sailor, test pilot, or spy. I knew I was going to be a bodybuilder. It wasn't simply that either. I would be the best bodybuilder in the world, the greatest, the best-built man.

I'm not exactly sure why I chose bodybuilding, except that I loved it. I loved it from the first moment my fingers closed around a barbell and I felt the challenge and exhilaration of hoisting the heavy steel plates above my head.

I had always been involved in sports through my father, a tall, sturdy man who was himself a champion at ice curling. We were a physical family, oriented toward training, good eating, and keeping the body fit and healthy. With my father's encouragement, I first got into organized competitive sports when I was ten. I joined a soccer team that even had uniforms and a regular three-days-a-week training schedule. I threw myself into it and played soccer passionately for almost five years.

However, by the time I was thirteen team sports no longer satisfied me. I was already off on an individual trip. I disliked it when we won a game and I didn't get personal recognition. The only time I really felt rewarded was when I was singled out as being best. I decided to try some individual sports. I ran, I swam, I boxed; I got into competition, throwing javelin and shot put. Although I did well with them, none of those things felt right to me. Then our coach decided that lifting weights for an hour once a week would be a good way to condition us for playing soccer.

I still remember that first visit to the bodybuilding gym. I had never seen anyone lifting weights before. Those guys were huge and brutal. I found myself walking around them, staring at muscles I couldn't even name, muscles I'd never even seen before. The weight lifters shone with sweat; they were powerful looking, Herculean. And there it was before me -- my life, the answer I'd been seeking. It clicked. It was something I suddenly just seemed to reach out and find, as if I'd been crossing a suspended bridge and finally stepped off onto solid ground.

I started lifting weights just for my legs, which was what we needed most for playing soccer. The bodybuilders noticed immediately how hard I was working out. Considering my age, fifteen, I was squatting with some pretty heavy weight. They encouraged me to go into bodybuilding. I was 6 feet tall and slender, weighing only 150 pounds; but I did have a good athletic physique and my muscles responded surprisingly fast under training. I think those guys saw that. Because of my build I'd always had it easier at sports than most boys my age. But I had it tougher than a lot of my teammates and companions because I wanted more, I demanded more of myself.

That summer the bodybuilders took me on as their protégé. They put me through a series of exercises, which we did together beside a lake near Graz, my hometown in Austria. It was a program they used simply to stay limber. We worked without weights. We did chin-ups on the branches of trees. We held each other's legs and did handstand push-ups. Leg raises, sit-ups, twists, and squats were all included in a simple routine to get our bodies tuned and ready for the gym.

It wasn't until the end of the summer that I got into real weight training. Once I started, though, it didn't take long. After two or three months with the bodybuilders, I was literally addicted. The guys I hung out with were all much older. Karl Gerstl, the doctor, was twenty-eight, Kurt Manul thirty-two, and Helmut Knaur was fifty. Each of them became a father image for me. I listened less to my own father. These weight lifters were my new heroes. I was in awe of them, of their size, of the control they had over their bodies.

I was introduced to actual weight training through a tough basic program put together by these bodybuilders. The one hour a week we had trained for soccer was no longer enough to satisfy my craving for working out. I signed up to go to the gym three times a week. I loved the feel of the cold iron and steel warming to my touch and the sounds and smells of the gym. And I still love it. There is nothing I would sooner hear than the sound of heavy steel plates ringing as they are threaded onto the bar or dropped back to the rack after a strenuous lift.

I remember the first real workout I had as vividly as if it were last night. I rode my bike to the gym, which was eight miles from the village where I lived. I used barbells, dumbbells and machines. The guys warned me that I'd get sore, but it didn't seem to be having any effect. I thought I must be beyond that. Then, after the workout, I started riding home and fell off my bike. I was so weak I couldn't make my hands hold on. I had no feeling in my legs: they were noodles. I was numb, my whole body buzzing. I pushed the bike for a while, leaning on it. Half a mile farther, I tried to ride it again, fell off again, and then just pushed it the rest of the way home. This was my first experience with weight training, and I was crazy for it.

The next morning I couldn't even lift my arm to comb my hair. Each time I tried, pain shot through every muscle in my shoulder and arm. I couldn't hold the comb. I tried to drink coffee and spilled it all over the table. I was helpless.

"What's wrong, Arnold?" my mother asked. She came over from the stove and peered at me. "What is it?" She bent down to look closer as she mopped up the spilled coffee.

"I'm just sore," I told her. "My muscles are stiff."

"Look at this boy!" she called out to my father. "Look what he's doing to himself."

My father came in, doing up his tie. He was always neat, his hair slicked back smooth, his mustache trimmed to a line. He laughed and said I'd limber up.

But my mother kept on. "Why, Arnold? Why do you want to do it to yourself?"

I couldn't be bothered with what my mother felt. Seeing new changes in my body, feeling them, turned me on. It was the first time I'd ever felt every one of my muscles. It was the first time those sensations had registered in my mind, the first time my mind knew my thighs, calves and forearms were more than just limbs. I felt the muscles in my triceps aching, and I knew why they were called triceps -- because there are three muscles in there. They were all registered in my mind, written there with sharp little jabs of pain. I learned that this pain meant progress. Each time my muscles were sore from a workout, I knew they were growing.

I could not have chosen a less popular sport. My school friends thought I was crazy. But I didn't care. My only thoughts were of going ahead, building muscles and more muscles. I had almost no time to relax and think about bodybuilding in any other terms. I remember certain people trying to put negative thoughts into my mind, trying to persuade me to slow down. But I had found the thing to which I wanted to devote my total energies and there was no stopping me. My drive was unusual, I talked differently than my friends; I was hungrier for success than anyone I knew.

I started to live for being in the gym. I had a new language -- reps, sets, forced reps, presses. I had resisted memorizing anatomy in school; now I was eager to know it. Around the gym my new friends spoke of biceps, triceps, latissimus dorsi, trapezius, obliques. I spent hours going through the American magazines Muscle Builder and Mr. America. Karl, the doctor, knew English and I had him translating anytime he was free. I saw my first photographs of Muscle Beach; I saw Larry Scott, Ray Routledge, and Serge Nubret. The magazines were full of success stories. The advantages of having a well-developed body were incomparable. Guys like Doug Stroll and Steve Reeves were in the movies because they had worked out and created great physiques.

In one of those magazines I saw my first photograph of Reg Park. He was on a page facing Jack Delinger. I responded immediately to Reg Park's rough, massive look. The man was an animal. That's the way I wanted to be -- ultimately: big. I wanted to be a big guy. I didn't want to be delicate. I dreamed of big deltoids, big pecs, big thighs, big calves; I wanted every muscle to explode and be huge. I dreamed about being gigantic. Reg Park was the epitome of that dream, the biggest, most powerful person in bodybuilding.

From then on in my mid-teens, I kept my batteries charged with the adventure movies of Steve Reeves, Mark Forrest, Brad Harris, Gordon Mitchell, and Reg Park. I admired Reg Park more than the others. He was rugged, everything I thought a man should be. I recall seeing him for the first time on the screen. The film was Hercules and the Vampires, a picture in which the hero had to rid the earth of an invasion of thousands of bloodthirsty vampires. Reg Park looked so magnificent in the role of Hercules I was transfixed. And, sitting there in the theater, I knew that was going to be me. I would look like Reg Park. I studied every move he made, every gesture....Suddenly I realized the house lights were on and everyone else had walked out.

From that point on, my life was utterly dominated by Reg Park. His image was my ideal. It was fixed indelibly in my mind. All my friends were more impressed by Steve Reeves, but I didn't like him. Reg Park had more of a rough look, a powerful look, while Steve Reeves seemed elegant, smooth, polished. I knew in my mind that I was not geared for elegance. I wanted to be massive. It was the difference between cologne and sweat.

I found out everything I could about Reg Park. I bought all the magazines that published his programs. I learned how he started training, what he ate, how he lived, and how he did his workouts. I became obsessed with Reg Park; he was the image in front of me from the time I started training. The more I focused in on this image and worked and grew, the more I saw it was real and possible for me to be like him. Even Karl and Kurt could see it. They predicted that it would happen within five years.

But I didn't think I could wait five years. I had this insatiable drive to get there sooner. Whereas most people were satisfied to train two or three times a week, I quickly escalated my program to six workouts a week.

My father was baffled by my eagerness. "Don't do it, Arnold," he said. "You'll overtrain, you'll overwork yourself."

"I'm all right," I said. "I'm doing it gradually."

"Yes," he said. "But what will you do with all these muscles once you've got them?"

"I want to be the best-built man in the world," I said frankly.

That made him sigh and shake his head.

"Then I want to go to America and be in movies. I want to be an actor."

"America?"

"Yes -- America."

"My god!" he cried. He went into the kitchen and told my mother, "I think we better go to the doctor with this one, he's sick in the head."

He was genuinely worried about me. He felt I wasn't normal. And of course he was right. With my desire and my drive, I definitely wasn't normal. Normal people can be happy with a regular life. I was different. I felt there was more to life than just plodding through an average existence. I'd always been impressed by stories of greatness and power. Caesar, Charlemagne, Napoleon were names I knew and remembered. I wanted to do something special, to be recognized as the best. I saw bodybuilding as the vehicle that would take me to the top, and I put all my energy into it.

Six days a week, I trained, constantly working to increase the amount of weight I could handle and the length of time I could stay in the gym. I had this fixed idea of building a body like Reg Park's. The model was there in my mind; I only had to grow enough to fill it. My dreams went beyond a spectacular body. Once I had that, I knew what it would do for me. I'd get into the movies and build gymnasiums all over the world. I'd create an empire.

Reg Park became my father image. I pasted his pictures on all the walls of my bedroom. I read everything about him that was printed in German; I had Karl translate the English stories for me. I studied every photograph of him I could get my hands on -- noting the size of his chest, arms, thighs, back and abdominals. This inspired me to work even harder. When I felt my lungs burning as though they would burst and my veins bulging with blood, I loved it. I knew then that I was growing, making one more step toward becoming like Reg Park. I wanted that body and I didn't care what I had to go through to get it.

That winter my father informed me I could only go to the gym three times a week -- he didn't want me away from home every evening. To get around his curfew, I put together a gymnasium at home.

The house we lived in was three hundred years old. It had been built originally by part of the Royal family. Upon moving out years before, they had stipulated that two people should inhabit the house: the Chief of Police for the area around Graz, a position my father held at that time, and the ranger in charge of all forests in the vicinity. For a hundred years it had been the custom for these two people to stay there. Our family lived upstairs and the forest ranger had the downstairs.

The house was built like a castle. The floors were solid and the walls were about five feet thick. It was a good place to have a gymnasium. The walls and floor could take the punishment of heavy weight. I had the basic equipment, such as benches and simple machines, designed and welded for me. My weight room was not heated, so naturally in cold weather it was freezing. I didn't care. I trained without heat, even on days when the temperature went below zero.

Three nights a week I went to the gym in town. I either had to walk or ride my bike eight miles home after ten o'clock. I didn't really mind the eight miles. I knew it was helping my body, increasing the strength of my legs and lungs.

The only real problem I had with training at home was to get someone to work out with me. Already, since my experiences at the lake, I was a strong believer in training partners. I needed someone not only to teach me but to inspire me. I trained better, harder, if I was around someone whose enthusiasm was as strong as mine and who would be impressed by my enthusiasm. That first winter, I trained with Karl Gerstl, the doctor who had helped me with my initial program. Aside from his usefulness as a translator, it was especially helpful to be around Karl. He knew everything about the body. He was serious and worked hard. We trained the same way, except our goals and our diets were different: I wanted to gain weight, to bulk up; Karl wanted to lose it. But Karl gave me the boost I needed.

There were certain days when something held me back and I didn't train as hard as on other days. That was inexplicable to me. Some days nothing could hold me back. Other days I'd be down. On the down days I couldn't handle anywhere near my normal amount of weight. It puzzled me. Karl and I discussed it. He had read a great deal of psychology (at fifteen I barely knew the word, though his argument made good sense and in fact helped lay the foundation for my later thinking). "It's not your body, Arnold. Your body can't change that much from one day to the next. It's in your mind. On some days your goals are just clearer. On the bad days you need someone to help get you going. It's like when you ride a bicycle behind a bus and get caught up in the slipstream. The wind sucks you along with it. You just need some prodding, some challenge."

Karl was right. Every month, I had at least a week when I didn't really want to train and I questioned myself: Why should I train hard if I don"t feel like it? These were the days Karl pulled me out of it. He'd say, "Man, I feel great today! I want to do bench presses. Let's do twenty-five instead of twenty. How about a contest? Ten shillings to the one who does the most bench presses."

It worked perfectly. He forced me to get off my butt, to get my sluggish body moving. It became extremely important to have somebody standing behind me saying, "Let's do more, Arnold. Come on -- another set, one more rep." And it was just as important for me to help somebody else. Watching him work out, encouraging him, somehow drove me on to do an even tougher set.

I discovered that the secret of successful workouts had to do with competition. For me there was never any monkey business. I wanted to compete in bodybuilding. The small competitions with Karl took me i rom day to day. But my first goal was to win Mr. Austria (in the end, I never even entered the contest -- by then circumstances had already taken me beyond it). This initial goal inspired me to increase my program and steadily work harder. My training sessions stretched out to two hours a day. I kept adding weight, increasing the number of reps, bombing my muscles furiously.

From the beginning, I was a believer in the basic movements, because that was Reg Park's preference. At the times Reg hadn't accelerated his workouts for some major competition, he would stay with the basic exercises -- bench presses, chin-ups, squats, rowing, barbell curls, wrist curls, pullovers, leg extensions, calf raises. These were the movements that worked most directly on all the body parts. I was following his example to the letter. And as it turned out, I could hardly have chosen more wisely. The basic exercises were creating for me a rugged foundation, a core of muscle I could later build upon for a winning body. Reg Park's theory was that first you have to build the mass and then chisel it down to get the quality; you work on your body the way a sculptor would work on a piece of clay or wood or steel. You rough it out -- the more carefully, the more thoroughly, the better -- then you start to cut and define. You work it down gradually until it's ready to be rubbed and polished. And that's when you really know about the foundation. Then all the faults of poor early training stand out as hopeless, almost irreparable flaws.

I was building up, bulking, going after the mass, which to me meant 250 pounds of sheer body weight. At that time, I didn't care about my waist or anything else that would give me a symmetrical look. I just wanted to build a gigantic 250-pound body by handling a lot of weight and blasting my muscles. My mind was into looking huge, into being awesome and powerful. I saw it working. My muscles began bursting out all over. And I knew I was on my way.

Copyright © 1977 by Arnold Schwarzenegger and Douglas Kent Hall

Most helpful customer reviews

32 of 33 people found the following review helpful.
The Austrian Oak's inspirational story
By A Customer
Actually, Arnold wrote this book long before his Hollywood career took off. He tells an honest story about his life and career as a bodybuilder back in a time when bodybuilding was considered strange and obscure. Arnold helped shatter all the myths and stereotypes about the sport and realistically tells us how gruelling and demanding the sport really is. He is correct in accessing that certain body types have a better chance at succeeding while others have many obstacles to overcome. Sheer muscle mass is only part of the sport. Just as important is definition and symmetry. Arnold was blessed with just about perfect body symmetry so he was a natural. This doesn't mean he didn't work hard. In fact you'll gather inspiration as you read about him always pushing himself and striving to do better. Arnold is also not shy about some of the seedier elements that were around at the time he was in competition. Promises of contracts, endorsements, and money could disappear as fast as the unscrupulous businessman who took advantage of them. This is a great book about a great man and brought bodybuilding the dignity it deserves.

1 of 1 people found the following review helpful.
Are you working toward a big dream/goal? This is for you.
By fifi
This is a great book about having a dream and making it happen. It discusses all the negativity he got from his family, people he knew and strangers, and how he had to block them out of his mind and keep doing what he wanted (become a world class body builder). He also talks about the mental challenges that come about when one follows a dream that is unpopular with the masses, and the sacrifices he had to make. I'm having my daughter read it. She's been working towards her dream of working for Cirque du Soleil. This is helping her already keep the focus on her own dream.
This book applies to anyone working hard to achieve a big goal in their life (it's not just for bodybuilders).

The last chapters are focused on working out and diet. Even though I did not buy the book for that part of it, I still recommend it. I find it very inspirational.

2 of 2 people found the following review helpful.
I found this to be a really good book. For a novice lifter
By Gerard H.
I found this to be a really good book. For a novice lifter, it's a good place to start to learn more about bodybuilding and training in general. For intermediate or advanced lifters, you won't find much in here that you don't know. But I think the real highlight of the book is Arnold's personal story which has always been interesting. He goes into quite a bit about his childhood in Austria and how he came to the decision to make it to America. If you're an Arnold fan, definitely give this a read.

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Senin, 23 April 2012

[U133.Ebook] PDF Ebook Try Python - for Beginners: Book 1, by David Rojas

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If you have ever thought about trying a new programming language like Python but didn’t want to go through the effort of installing the software or didn’t even know where to start, then this book is written just for you. I mean, it sounds like a good idea and it would probably look good on your resume but really, who wants to go through all that work? Nevertheless, I know you are interested in learning Python and I’m here to make that process as simple as possible. This book is going to cover the software you can start using today without needing to install anything on your computer. And while we are at it, we will also write some Python code but not too much.

The Jupyter/IPython Notebook
This book provides you with a very detailed introduction to the Jupyter Notebook. Below are some of the items we will cover.


  • How to select the version of Python you want to code in

  • How to code in Python using the Jupyter/IPython Notebook

  • How to move code cells up and down the page

  • How to code in Markdown

  • How to execute your Python code in the Notebook

  • What is the difference between command mode and edit mode

  • Plus you'll learn some practical keyboard shortcuts along the way



Tags: python windows, ipython notebook, learn python, jupyter, pandas, python for data science

  • Sales Rank: #635942 in eBooks
  • Published on: 2015-11-15
  • Released on: 2015-11-15
  • Format: Kindle eBook

Most helpful customer reviews

0 of 0 people found the following review helpful.
Three Stars
By Amazon Customer
It's ok as a quick start guide for Jupyter, but not much actual information about Python programming.

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Jumat, 20 April 2012

[M229.Ebook] Download Ebook The Years of Bloom: James Joyce in Trieste 1904-1920, by John McCourt

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The Years of Bloom: James Joyce in Trieste 1904-1920, by John McCourt

While living in Trieste, Joyce wrote most of the stories in "Dubliners", turned Stephen Hero into "A Portrait of the Artist as a Young Man", and began "Ulysses". This biography uses previously unused Italian sources to recreate a fertile period in Joyce's life.

  • Sales Rank: #4034206 in Books
  • Published on: 2000-06-07
  • Original language: English
  • Dimensions: 9.29" h x 6.42" w x 1.22" l, 1.42 pounds
  • Binding: Hardcover
  • 320 pages

From Publishers Weekly
If we regard biography as a kind of archeology, Joyce's Richard Leakey is unquestionably Richard Ellman, whose 1959 opus James Joyce established the terrain for all future biographies of the great Irish writer. And there have been many. Few, however, quite measure up to McCourt's informative, lucid and wholly engaging record of Joyce in Trieste, which in Joyce's day was as polyglot as Ulysses, as multicultural as any cosmopolitan city of today. Firmly in control of his subject and material, McCourt effortlessly interlaces the details of everyday lifeAmarital storms, economic worries, work habitsAwith larger historical and cultural concerns: Jewish life, the emergence of the futurists, socialist politics. In this milieu, the alchemy of Joyce's most potent art transformed many of the people, places and incidents of Trieste into important sections of Ulysses, which Joyce himself described as "the epic of two races (Israel and Ireland)." Laboring in relative obscurity, Joyce struggled not only with Leopold Bloom, but also with timid publishers who balked when it came to releasing Dubliners and A Portrait of the Artist as a Young Man. While honoring the work of his predecessors in Joyce scholarship, McCourt (who was born and educated in Dublin and now teaches at the University of Trieste) also examines material that was until recently unused or unavailable. This, along with his understanding of the culture and dialect of the once-vibrant port city, deepens our appreciation of Trieste both as a crossroads of cultures and as a profound influence on Joyce's thinking and writing. As one critic has it, "Joyce was born in Dublin... [but] grew up in Trieste." (July.
- grew up in Trieste." (July)
Copyright 2000 Reed Business Information, Inc.

From Library Journal
Richard Ellmann's massive biography of James Joyce (originally issued in 1959 and revised in 1982) has warned off new biographers for many years. McCourt (English, Univ. of Trieste) makes the case for a more detailed study of Joyce's life for nearly 16 formative years and, even more persuasively, for Trieste's seminal influence on Joyce's major works. All of the oeuvre except Finnegans Wake were written while Joyce lived in this cosmopolitan port, and McCourt argues that the life and language of Trieste and the friends and contacts Joyce made there were far more important than Ellmann had thought. McCourt has unearthed a few new sources and successfully debunks some others while painting a detailed picture of life in the then-Italian metropolis. While aimed at Joyce scholars with a detailed knowledge of Joyce's life and writing, the book gives an unusual overview of European political and cultural life in the early years of the century. For specialized collections. (Photographs and index not seen.)DShelley Cox, Southern Illinois Univ., Carbondale
Copyright 2000 Reed Business Information, Inc.

From Booklist
The immense status accorded James Joyce in twentieth-century literature may have moderated some in the last decade, but his life and work continue to be of great interest to scholars and writers, and this volume on his years in Trieste should help to sustain that interest. McCourt sees Trieste in 1904 as an important "commercial and cultural crossroads between Western Europe and the East," and he traces the impact of this crossing of people, cultures, and ideas on Joyce, especially the latter's complicated indebtedness to "Irish Orientalism" and the development of Jewish characters in his fiction, most notably Bloom in Ulysses. McCourt gives details about the elements of daily life and culture that were vibrant in the largely middle-class, education-oriented Trieste, and shows Joyce's developing interest in theater and opera. McCourt also effectively captures the considerable financial woes which Joyce and his wife, Nora, and their family suffered at this time, during which Joyce nonetheless wrote many of his shorter works, and a number of chapters from the longer Ulysses. James O'Laughlin
Copyright © American Library Association. All rights reserved

Most helpful customer reviews

1 of 1 people found the following review helpful.
Nora, Svevo, Bloom - friend talk about Joyce
By Dan U-Sophia
The book, besides being very well researched, is a rare opportunity to sit in a Trieste cafe and gossip about Molly, Stephen, James, Frank Budgen and so many more. The books steps out of the Aula Magna and you can actually tastes and smell the drinks!

6 of 6 people found the following review helpful.
A terrific resource, and a good read too
By P. Lozar
Like many other readers of Joyce, I considered Trieste to be merely "anywhere but Dublin" -- i.e., it was significant to the author only because it was where he began his self-imposed exile from Ireland. In his writings, I felt, Joyce never really left Dublin, and he could as well have been in Mombasa or Ulan Bator for all the effect that his city of residence had on his work. So this book was a revelation to me: although Joyce originally landed in Trieste by happenstance, he quickly grew to feel at home there, and the city provided a cosmopolitan, ethnically diverse, and culturally rich environment in which his art grew to maturity.
McCourt provides ample and convincing evidence of the degree to which Joyce's experiences in Trieste influenced his most important works, from the Triestine puns in "Finnegans Wake" to the main characters of "Ulysses," and how productive he was as a writer during his years there. What I found especially fascinating were the details McCourt unearthed about the rest of Joyce's life: in his perennially unsuccessful pursuit of financial stability, he was (inter alia) a partner in a cinema, a bank clerk, and a would-be exporter of Irish woolens; his domestic life was continually in uproar (Nora lacked his facility at learning languages, and was marooned at home with a series of babies and, from time to time, Joyce's transplanted siblings); but he was a good English teacher, and, through his private tutoring, he became acquainted with many financially and intellectually influential members of Triestine society. (The influence went both ways: the writer/businessman Ettore Schmidt was on the verge of giving up his literary ambitions when Joyce convinced him not to, and he went on to write several classic novels under his pen name, Italo Svevo.)
This book was originally a doctoral dissertation, and it suffers at times from the graduate-student tendency to include Absolutely Every Detail relevant to one's subject (I sympathize: been there, done that). But, in general, it's readable, clearly written, well organized, and, although the basic structure is chronological, the author gives each chapter enough of a thematic focus to make it more than a mere recitation of dates and events. I found the book entertaining as well as informative, and I feel it's a valuable resource for anyone interested in Joyce or, for that matter, in early 20th century European literary history.

10 of 10 people found the following review helpful.
Superbly researched, documented and accessibly written.
By Midwest Book Review
John McCourt's The Years Of Bloom: James Joyce In Trieste, 1904-1920 is a remarkable and original contribution to Joycean studies. McCourt was able to acquire information never before published about Joyce's activities in the years he resided in Trieste, and which influenced his career as one of the truly great writers in the English language. Superbly researched, accessibly written, thoroughly documented, and impressively presented, The Years Of Bloom is a major work of outstanding scholarship and a welcome, enduring, seminal contribution which will be part of every college and university reading list and reference collections on the life and writings of James Joyce.

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Minggu, 15 April 2012

[Z195.Ebook] Download Ebook All in the Same Boat: Family Living Aboard and Cruising, by Tom Neale

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All in the Same Boat: Family Living Aboard and Cruising, by Tom Neale

Ever daydream about what it's like to quit your job, sell your house and most of your possessions, say good-bye to your neighbors, and set sail with your family--permanently? Tom and Mel Neale left their 9 to 5 world nearly two decades ago and never looked back. In 1979 the Neales left their law and education careers and traded their suburban home for a three-room boat. Now their neighborhood is a Chesapeake Bay cove, or a secluded Bahamian beach, or anywhere else they choose to anchor. And along the way they raised two daughters. For the Neales, living aboard and cruising is about taking control of their world and their environment, a sometimes difficult but always rewarding existence. All in the Same Boat is one family's testament to the belief that you can lead your own life, whatever that might be. For the Neales, it hasn't been a vacation. Instead of living to work, they work to live, but they make time for adventure and play, too. Here's everything you need to know to follow them: choosing the right boat; provisioning for long-term cruising; getting along in close quarters; learning what you can leave behind; earning a living--and how to hold on to the money; what to expect in the cruising life, and how to handle it; preparing the crew and boat; raising--and educating--kids; keeping in touch; making the ocean your backyard.

  • Sales Rank: #1544481 in Books
  • Published on: 1997-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 1.02" h x 5.76" w x 8.70" l,
  • Binding: Hardcover
  • 374 pages

Review
"This book will become a bible for those getting ready to take the plunge." --Cruising World

From the Back Cover
Tom and Mel Neale left their 9 to 5 world nearly two decades ago and never looked backed. Here's everything you need to follow them: choosing the right boat; preparing the crew and boat; provisioning for long-term cruising; raising--and educating--kids; getting along in close quarters; earning a living--and how to hold on to the money; keeping in touch; what to expect in the cruising life, and how to handle it; learning what you can leave behind; making the ocean your backyard.

Most helpful customer reviews

20 of 21 people found the following review helpful.
The first book you MUST read if you are going cruising.
By jmhunter@mindless.com
The reason I rate this a "first read" if you are seriously considering cruising is because so many people with limited or no experience living on a boat undoubtably have many misconceptions about life aboard. This kind of lifestyle is harder and more demanding than the sit-at-the-dockside- weekender could imagine. Tom Neale's description of the sober realities of cruising life are enough to talk the faint of heart or the misdirected out of it before they make a big mistake. As the book progresses, Tom's contagious enthusiasm becomes more and more apparent. He writes in an easy style with wry humor. His advice is well thought out, accurate and should be considered "Cruising 101." Don't forget to take notes as you read.

12 of 12 people found the following review helpful.
All in the same boat
By John A. DeStefano
This is by far the best of all the boating books we ordered and has really helped us a lot in planning and learning more about living aboard or just cruising for now. My wife and I have both read the entire book and we will certainly read it again and again. There is so much information packed in this book. So much to learn. We Love It. Sincerely, John & Heidi

10 of 10 people found the following review helpful.
Fantastic
By Randy Goode
I loved this book! As a current live aboard I really enjoyed everything presented about family life for cruisers. The insights the young daughters give helps understand how kids aboard percieve the experience. Excellent reading for anyone thinking of moving onto a boat with a family.

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Sabtu, 14 April 2012

[S993.Ebook] Download PDF The Power of PrayerTM to Change Your Marriage, by Stormie Omartian

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The Power of PrayerTM to Change Your Marriage, by Stormie Omartian

Stormie Omartian’s bestselling books on prayer and marriage have touched millions of readers in a life–changing way. The Power of Prayer to Change Your Marriage helps husbands or wives pray to protect their relationship from 14 serious problems that can lead to unsatisfying marriages or even divorce. For those who are already struggling in these areas, this book will help them find healing and restoration.

Readers will learn how to pray about everything from

  • communication breakdown to struggles with finances and raising children
  • misplaced priorities to anger, unforgiveness, and sexual frustration
  • pornography and infidelity to depression and addictions

No stranger to struggles in her 34 years of marriage, Stormie looks at these topics and more in the straightforward, hopeful manner readers have come to trust. As always, readers will find Bible verses and personal prayers they can use as powerful resources to help their marriages last a lifetime.

Previously published as Praying Through the Deeper Issues of Marriage

  • Sales Rank: #15489 in Books
  • Brand: Harvest House Publishers
  • Published on: 2009-01-01
  • Original language: English
  • Number of items: 1
  • Dimensions: 8.50" h x .58" w x 5.50" l, .65 pounds
  • Binding: Paperback
  • 256 pages
Features
  • ISBN13: 9780736925150
  • Condition: New
  • Notes: BRAND NEW FROM PUBLISHER! BUY WITH CONFIDENCE, Over one million books sold! 98% Positive feedback. Compare our books, prices and service to the competition. 100% Satisfaction Guaranteed

Review

“Stormie Omartian fearlessly takes us on a journey through relationships and marriage, with her trademark candor, humor and practical biblical wisdom. Stormie tells it like it is, and then tells us how to fix it! Always scripturally based, and full of prayer suggestions and Bible verses, to aim us for the battle. Stormie has a wonderful combination of accessibility and authority. This is a great book!
―Katie Stewart

About the Author

Stormie Omartian is the bestselling author (more than 35 million books sold) of The Power of a Praying® series, plus Lead Me, Holy Spirit; Prayer Warrior; Choose Love; and Out of Darkness. Stormie and her husband, Michael, have been married more than 40 years. They are the parents of two married children and have two granddaughters.

www.stormieomartian.com

Most helpful customer reviews

22 of 23 people found the following review helpful.
4.5 Stars
By Sandra Renee Farmer
First off, I think it's pretty obvious that I'm a Stormie Omartian fan. I've read several of her Power of a Praying... books and I plan to continue to read more. She's helped me tremendously on my journey to a better prayer life.

I sought out The Power of Prayer to Change Your Marriage when my husband and I hit a bump in the road in our own marriage (what marriage doesn't have those?) and despite having The Power of a Praying Wife, I felt like I needed something different--something more. And so I ended up getting The Power of Prayer to Change Your Marriage. As with the other Power of a Praying... books that I've read, I took this one slow in order to maximize information retention. And there came a point where our marriage felt more stable and secure and I didn't feel the urgent need to press on in the book like I once did, so I put it down for a spell.

The wonderful part about this book is that you and your marriage don't need to be struggling in order for you to benefit from this book. Ms. Omartian's books usually follow the pattern of a different topic per chapter. Within the chapter, she discusses the topic at length and provides a sample prayer and scripture (Promises from God) on the subject. But The Power of Prayer to Change Your Marriage went another step. She included three prayers at the end of each chapter. The first prayer was always a Prayer of Protection. This prayer is designed to protect you, your spouse, and your marriage from experiencing this particular problem to begin with. Or if you both struggle with the issue, it helps to cover you both in this area. Next was a Prayer for Breakthrough in Me. This obviously covers if you are the partner struggling with the topic of the chapter. And finally, she included a Prayer for Breakthrough in My Spouse designed to cover your spouse should he/she be the one struggling with the chapter topic.

Because each chapter included the three different prayers at the end, I felt each topic discussed was covered in every way possible. Most of the time, I found that even if I didn't think we as a couple or I individually was struggling with a particular chapter topic, once I read and prayed the prayers she included, I realized that I needed improvement more than I originally thought.

As I always feel led to include in my review of any Christian book, Stormie Omartian's books do not contain the standard. They do contain Scripture and I have learned much from her. But I find that there are some things she says that I don't 100% agree with. And so while I do recommend anyone and everyone I can to read her books, we must always compare what man says against what God says. The Source for truth is and always will be the Bible--God's Word.

One I thing I know for certain, you can't pray for your marriage and not see improvement in yourself, your spouse, and/or your marriage. Draw near to God and He will draw near to you (James 4:8).

The Power of Prayer to Change Your Marriage gets 4.5 Stars from me. Have you read this book? What did you think? Let me know!

Somewhere Only We Know [...]

10 of 10 people found the following review helpful.
marriage, trouble, renewing
By Amazon Customer
Very good book, exactly what I ordered. Good reading, thought provoking, I would recommend this book for anyone whose marriage is in trouble, or if it is to help anyone.

13 of 14 people found the following review helpful.
Most helpful
By Karis Holveck
This book has helped my love grow for my husband! Prayer is the most important part of our marriage. Without it God doesn't seem to be in the middle. I recommend this book to anyone looking for that little something, that extra help is pray.

See all 231 customer reviews...

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Minggu, 08 April 2012

[W354.Ebook] Download PDF Bel Ami RebelsFrom Bruno Gmuender GMBH

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Bel Ami RebelsFrom Bruno Gmuender GMBH

The stars of the European porn studio Bel Ami usually look a little more like "Love Me Tender" than "Rebel Yell". The new photo book by Spanish celebrity photographer Joan Crisol is proof that they can switch mode at any time. He portrays the handsome boys in bold poses and puts the spotlight on their wild side. The resulting works are extremely sexy and absolutely convincing. With aplomb and appeal these ever-so-sweet guys show that they have plenty of raw and rampant sexual energy in them after all.

  • Sales Rank: #1597243 in Books
  • Published on: 2012-09-01
  • Original language: English
  • Number of items: 1
  • Dimensions: .90" h x 10.20" w x 13.40" l, 3.61 pounds
  • Binding: Hardcover
  • 128 pages

Review
"Leave it to Bruno Gmünder Verlag to one-up themselves. The Bel Ami Boys have long been the favorite young, fresh breath of innocence that has attracted legions of followers of the male form, but instead of innocence personified, photographic artists Joan Crisol has taken these lads aside, given them props and gear and suggestions for activity and what happens in the look of innocence is a well-hidden disguise for these naughty but fun excursions. As one man evaluating this collection has said, `Packed with both erections and muscles, this Querelle-inspired photo collection is pure sex - beautifully photographed sex. The photo stylist Abraham Gutierrez styled the Bel Ami models to look 'Tom of Finland' but in many of these images it's not the styling one sees. The models are Kris Evans, Dolph Lambert, Ariel Vanean, the Peters Twins, Todd Rosset, Julien Hussey, Dario Dolce, Vadim Farrell, Harris Hilton and Luke Hamill. The aspect that makes this collection unique is the role-play tenor of the book - pretty young boys acting like wild and dangerous provocateurs. It works well." (Grady Harp)

About the Author
BORN IN BADALONA IN 1974, CURRENTLY LIVES AND WORKS IN MADRID. HE STUDIED PHOTOGRAPHY IN THE “INSTITUT D´ESTUDIS FOTOGRÀFICS DE CATALUNYA” (PHOTOGRAPHY SCHOOL OF CATALONIA) AND STARTED HIS CAREER AS A PROOFESSIONAL PHOTOGRAPHER IN 1999. HE HAS PUBLISHED HIS WORKS IN MORE THAN 40 DIFFERENT SPANISH AND INTERNATIONAL MAGAZINES, BEING THE AUTHOR OF GERMAN, SWISS, BRITISH, ARGENTINEAN, AUSTRALIAN AND SPANISH MAGAZINE COVERS. instagram.com/joancrisolphotography

A true Southerner, self-taught photographer Rick Day moved to New York City in 1994 and has become a noted name in Fashion Photography. His work has been published in numerous publications such as Elle, Details, Teen Vogue and GQ and shot advertising campaigns for Gap, Ritani and Rufskin. When not traveling, he spends his time in the East Village with his dogs Mila and Luna always shooting the hottest faces in the industry. In a generation where beauty is obsession and sex is a product, he seems to have flawlessly "cataloged the world's sexiest exhibitionists," in their most intimate moments, with his coffee table books PLAYERS and PIONEERS.

Most helpful customer reviews

5 of 5 people found the following review helpful.
Same Bel Ami Boys, Different Role Playing
By Grady Harp
Leave it to Bruno Gmünder Verlag to one-up themselves. The Bel Ami Boys have long been the favorite young, fresh breath of innocence that has attracted legions of followers of the male form, but instead of innocence personified, photographic artists Joan Crisol has take these lads aside, given them props and gear and suggestions for activity and what happens in the look of innocence is a well hidden disguise for these naughty but fun excursions.

As one man evaluating this collection has said, `Packed with both erections and muscles, this Querelle-inspired photo collection is pure sex -- beautifully photographed sex. The photo stylist Abraham Gutierrez styled the Bel Ami models to look "Tom of Finland" but in many of these images it's not the styling one sees. The models are Kris Evans, Dolph Lambert, Ariel Vanean, the Peters Twins, Todd Rosset, Julien Hussey, Dario Dolce, Vadim Farrell, Harris Hilton and Luke Hamill.'

The aspect that makes this collection unique is the role-play tenor of the book - pretty young boys acting like wild and dangerous provocateurs. It works well. Grady Harp, November 12

1 of 1 people found the following review helpful.
REBELS WORTH JOINING UP WITH
By Anthony McGill
Another spectacular Bruno Gmunder publication! Combining the "innocence" of Bel Ami porn actors with the edgy, challenging photography of Joan Crisol was a match made in gay erotica heaven. Previous Bel Ami books (usually by Howard Roffman) have all tended to show these sexy young men in more playful and innocent activities. And please, that's not a criticism of their cherished work. I have all of Roffman's and Benno Thoma's Bel Ami books and I love them all. But there is just something about the way Crisol has been able to capture that little extra edge with these models that pushes this book of male erotica to a different level. He has "roughed-up" these beautiful boys and put them in some quite daring set-ups. It may sound corny but the Bel Ami boys appear to have become Bel Ami men under the guidance of Crisol. And the color reproduction, with Crisol's very unique lighting technique is really something else. This is a big (13.5 x 10.5) full-color book of beautiful Bel Ami models displaying their very sizeable credentials in all their glory. Also bought the calendar featuring the "best" dozen shots from the book which is definitely worth keeping beyond the year. Just as well Crisol wasn't photographing these guys for the ES collection or there would have been some very serious damage done to all those swim briefs and shorts!

10 of 13 people found the following review helpful.
Bel Ami Rebels
By Amazon Customer
This is a nice larger size hardcover book. Defiantly good size pictures. I was hoping for more male sex parts exposed. Most of the guys there I do not recognize from any of the DVD's from the Bel Ami Collection. It would be nice if there where more grasping and groping of parts. Jerking of parts and blowing of parts.

See all 7 customer reviews...

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