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Set in a country on the Caribbean coast of South America, this is a story about a woman and two men and their entwined lives. From the author of the legendary One Hundred Years of Solitude.
- Sales Rank: #59692 in Books
- Brand: Garcia Marquez, Gabriel
- Published on: 1988-03-12
- Released on: 1988-03-12
- Original language: English
- Number of items: 1
- Dimensions: 9.50" h x 1.40" w x 6.60" l,
- Binding: Hardcover
- 348 pages
Features
From Publishers Weekly
The ironic vision and luminous evocation of South America that have distinguished Garcia Marquez's Nobel Prize-winning fiction since his landmark work, One Hundred Years of Solitude, persist in this turn-of-the-century chronicle of a unique love triangle. It is a fully mature novel in scope and perspective, flawlessly translated, as rich in ideas as in humanity. The illustrious and meticulous Dr. Juvenal Urbino and his proud, stately wife Fermina Daza, respectively past 80 and 70, are in the autumn of their solid marriage as the drama opens on the suicide of the doctor's chess partner. Jeremiah de Saint-Amour, a disabled photographer of children, chooses death over the indignities of old age, revealing in a letter a clandestine love affair, on the "fringes of a closed society's prejudices." This scenario not only heralds Urbino's demise soon afterwhen he falls out of a mango tree in an attempt to catch an escaped parrotbut brilliantly presages the novel's central themes, which are as concerned with the renewing capacity of age as with an anatomy of love. We meet Florentino Ariza, more antihero than hero, a mock Don Juan with an undertaker's demeanor, at once pathetic, grotesque and endearing, when he seizes the memorably unseemly occasion of Urbino's funeral to reiterate to Fermina the vow of love he first uttered more than 50 years before. With the fine detailing of a Victorian novel, the narrative plunges backward in time to reenact their earlier, youthful courtship of furtive letters and glances, frustrated when Fermina, in the light of awaking maturity, realizes Florentino is an adolescent obsession, and rejects him. With his uncanny ability to unearth the extraordinary in the commonplace, Garcia Marquez smoothly interweaves Fermina's and Florentino's subsequent histories. Enmeshed in a bizarre string of affairs with ill-fated widows while vicariously conducting the liaisons of others via love poems composed on request, Florentino feverishly tries to fill the void of his unrequited passion. Meanwhile, Fermina's marriage suffers vicissitudes but endures, affirming that marital love can be as much the product of art as is romantic love. When circumstances both comic and mystical offer Fermina and Florentino a second chance, during a time in their lives that is often regarded as promising only inevitable degeneration toward death, Garcia Marquez beautifully reveals true love's soil not in the convention of marriage but in the simple, timeless rituals that are its cement. 100,000 first printing; first serial to the New Yorker; BOMC main selection.
Copyright 1988 Reed Business Information, Inc.
From Library Journal
While delivering a message to her father, Florentino Ariza spots the barely pubescent Fermina Daza and immediately falls in love. What follows is the story of a passion that extends over 50 years, as Fermina is courted solely by letter, decisively rejects her suitor when he first speaks, and then joins the urbane Dr. Juvenal Urbino, much above her station, in a marriage initially loveless but ultimately remarkable in its strength. Florentino remains faithful in his fashion; paralleling the tale of the marriage is that of his numerous liaisons, all ultimately without the depth of love he again declares at Urbino's death. In substance and style not as fantastical, as mythologizing, as the previous works, this is a compelling exploration of the myths we make of love. Highly recommended. Barbara Hoffert, "Library Journal"
Copyright 1988 Reed Business Information, Inc.
Review
"A rich, commodious novel whose narrative power is matched only by its generosity of vision." --The New York Times"A love story of astonishing power and delicious comedy . . . humane, richly comic, almost unbearably touching and altogether extraordinary." --Newsweek"The greatest luxury, as in all of García Márquez’s books, is the eerie, entirely convincing suspension of the laws of reality . . . the agelessness of the human story as told by one of this century’s most evocative writers." --Anne Tyler, Chicago Sun-Times Book Week"Revolutionary in daring to suggest that vows of love made under a presumption of immortality--youthful idiocy, to some--may yet be honored, much later in life when we ought to know better, in the face of the undeniable. . . . A shining and heartbreaking book." --Thomas Pynchon, The New York Times Book Review
Most helpful customer reviews
675 of 722 people found the following review helpful.
An Examination of Love
By mdbumb@gsbpop.uchicago.edu
I think a lot of the online reviewers of this book don't realize that this book is not about the relationship of Fermina and Florentino. The book is about love in all of its forms, and the characters in the book exist as vehicles to examine the strangest and most powerful of all human emotions. Love in the Time of Cholera is about: unrequited love (Florentino for Fermina); marital love (Fermina and Juvenal); platonic love (Florentino and Leona); angry love (Florentino and the poet who makes him so furious); jealous love (the adulterous wife killed because of her affair with Florentino); young love (Florentino and Fermina in the beginning); dangerous love (the mental patient and Florentino); adulterous love (Juvenal and his affair, Florentino and many of his women); love from afar (Florentino and Fermina); elderly love (Florentino and Fermina, Fermina and Juvenal; the cyanide suicide); May-December love (Florentino and his ward); the relationship between sex, age, society, art, death and love (pretty much the whole book).
I could go on, but you get the idea. Any attempt to read this book as the story of Florentino and Fermina misses the point. The book is still very enjoyable that way, but look beyond the surface and enjoy Marquez' ruminations on that thing called love that drives us all crazy.
Incidentally, I think it's one of the best books ever written.
185 of 198 people found the following review helpful.
THE MANY ASPECTS OF LOVE
By A Customer
Love in the Time of Cholera takes place circa 1880-1930 in an unnamed Caribbean seaport city. The three main characters form a triangle of love, with the hypotneuse being the quintessential romantic, Florentino Ariza, a man whose life is dedicated to love in all its aspects.
As a young apprentice telegrapher, Florentino Ariza falls hopelessly in love with the haughty teenager, Fermina Daza. Although the two barely meet, they manage to carry on a passionate affair via letters and telegrams, until one day, Fermina Daza, realizing that Florentino Ariza is more "shadow than substance," rejects him and marries the wealthy dandy, Dr. Juvenal Urbino instead.
Florentino Ariza, who has sworn to love Fermina Daza forever, is, of course, stricken to the core, but Fermina's marriage is nothing he can't handle. As one century closes and another begins, Florentino Ariza rises through the ranks of the River Company of the Caribbean and sets off on a series of 622 erotic adventures, both "long term liaisons and countless fleeting adventures," all of which he chronicled and all the while nurturing a fervent belief that his ultimate destiny was with Fermina Daza.
Fifty-one years, nine months and four days after Fermina's wedding, on Pentecost Sunday, fate intervenes and Fermina becomes a free woman once again when Dr. Juvenal Urbino dies attempting to retrieve his wayward parrot from a mango tree. Seeing his chance at last, Florentino Ariza visits Fermina Daza after the funeral and declares, "I have waited for this opportunity for more than half a century, to repeat to you once again my vow of eternal fidelity and everlasting love." Fermina's reaction is not quite what Florentino was hoping for. She orders him out of the house with the words, "And don't show your face again for the years of life that are left to you...I hope there are very few of them."
Fermina Daza, however, hasn't quite gotten Florentino Ariza out of her system and the story ends, symbolically, with a river journey into eternity.
It's hard to believe that Gabriel Garcia Marquez has written a book that is better than One Hundred Years of Solitude, but with Love in the Time of Cholera, he has done just that. Not quite magical realism, it is still magic of the highest order and it is pure Garcia Marquez. An exquisite writer, Garcia Marquez tells his tales with passion, control and unblinking humor with just the right amount of the fabulous woven in.
Unlike some of his slightly claustrophobic works, this novel has an almost epic quality and Garcia Marquez handles the shifts in time and character perfectly; from the opening lines you know you're in the hands of a master. The book is flawless: Not one word is out of place, not one sentence is awkward. Lesser authors might slip into the maudlin when writing an entire book on the many aspects of love, but Garcia Marquez never gives us less than crystalline insight into what it really means to live, to love and to live a life of love. The last chapter alone is a masterpiece no one who's loved, or loved and lost, will ever forget.
As the book closes, we sail down the river with Garcia Marquez at the helm, safe in the knowledge that he is a navigator of the highest order, one who can pilot the river of love unerringly. He certainly does just that in this shining, sometimes funny and always uplifting book of flawless perfection.
33 of 34 people found the following review helpful.
Beautifully written, but problematic.
By Jason Argentum
This is a difficult book for me to review, because there are two factors at work here that for me are at very much at odds.
On the one hand, Love in the Time of Cholera is a beautifully written book, rich with imagery and emotive language. This is all the more impressive when you consider how difficult it must be to translate any work from one language to another and still manage to evoke the feelings that the original author intended, and for that I must give high praise to Edith Grossman, the translator for the English edition that I read.
On the other hand, there is a very real difficulty in sympathizing with Florentino Ariza, the protagonist of the novel. In his youth, he courts Fermina Daza, the daughter of a wealthy businessman from a poor family who is obsessed with social climbing. Because her father disapproves of Ariza (a poor boy who would not improve his family's social standing), their relationship consists almost entirely of love letters sent back and forth. After a long while, though, Fermina finally rejects him. Later she marries Juvenal Urbino, a doctor and a member of one of the most respected families in the city, and has a relatively happy marriage. Florentino, however, never gets over her, and continues to desire her from afar, even after fifty years, and when her husband dies, Ariza is ready to pick things right back up from where they left off.
Here is where the novel falls apart for me, though: I can believe a man could be so hopelessly in love with a woman that he obsesses over her for the rest of his life. However, Florentino's actions do not befit a lovelorn man pining for his sweetheart. Over the course of his life he has sexual relationships with literally hundreds of women, many of them married. After one woman is murdered by her husband after he discovers her unfaithfulness -- due to Ariza writing on her stomach with some body paint -- Ariza's only concern seems to be the fear that the husband will find out who his cuckolder is and come after him. At one point he rapes one of his servants and, when she gets pregnant, compels one of her suitors to marry her. In his old age, he is made guardian of a 14-year-old girl who is described as a "blood relative", and almost immediately begins an affair with her, which ultimately results in her suicide.
Even the things he does with relation to Fermina are questionable. He hangs around her neighborhood constantly, hoping to catch a glimpse of her. He attends balls and ceremonies and celebrations for no other reason than that he knows she'll be there. He writes daily letters to her for months while receiving no reply. He calls her on the telephone just to listen to her answer, saying nothing until she hangs up. These are more the actions of a stalker than a suitor.
And the most outrageous part of all this is that, in the end, he gets the girl. What lesson is the reader supposed to take from this? That being a womanizing, cuckolding, creepy-ass stalker who dabbles in rape and pederasty will win the heart of your one true love?
(Incidentally, Fermina knows absolutely nothing of any of his sexual shenanigans. Florentino even has the gall to tell her he's a virgin at the age of 76, though she's not stupid enough to believe it.)
While the story is interesting and well-told, this dissonance regarding the protagonist left me somewhat at a loss. In the end, my score is more for the richness of the prose than anything else.
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