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Guerrilla Marketing in 30 Days, by Al Lautenslager, Jay Levinson

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Updated with fresh examples, the latest techniques and trends, new success stories, and fresh, practical marketing habits for today’s aspiring guerrillas, this new edition provides marketers with the latest guerrilla marketing tools and tactics. In just 30 chapters and 30 days, famous marketers Jay Conrad Levinson and Al Lautenslager show eager entrepreneurs how to zero in on their marketing goals and maximize their profits. New marketers learn from updated real-life examples and success stories and proven fundamental concepts, and use daily exercises to take their marketing to the next level — ultimately increasing profits, cutting costs, and gaining new customers. Topics detailed in this new edition include proximity marketing, thought leadership, integration of online and offline marketing, speaking and events, direct email, personalization, and implementation. With every step, Levinson and Lautenslager provide thorough action plans to help aspiring guerrillas stay on track, leaving no excuse for anything but success.

• Sales Rank: #482398 in Books
• Brand: Levinson, Jay Conrad/ Lautenslager, Al
• Published on: 2014-06-10
• Original language: English
• Number of items: 1
• Dimensions: 10.00" h x 8.00" w x .75" l, 1.30 pounds
• Binding: Paperback
• 304 pages

Review
"Want to quickly make your organization more marketable and user-friendly? Begin by reading this book and applying its concepts on a daily basis. It will jumpstart your engine and lead you down the most effective path in only 30 days!"
—Dr. Stephen R. Covey, author of The 7 Habits of Highly Effective People

"Authors Jay Levinson and Al Lautenslager methodically explain strategies to help all businesses and organizations with their marketing. Spending 30 days with this book could be one of your more profitable actions this year."
—Jack Canfield, author of Chicken Soup for the Soul, The Power of Focus, and The Success Principles

“Only Jay and Al can deliver on the promise to fix your marketing in 30 days. Buying this book and taking 30 days to turbo-charge your company is a no-brainer.”
—Guy Kawasaki, author of The Art of the Start and CEO of Garage Technology Ventures

“At last, a detailed step-by-step marketing program that doesn’t take a lifetime to implement!”
—Roger Parker, author of Relationship Marketing for the Internet, Web Design for Dummies, and onepagenewsletters.com

“Don’t speed read Guerrilla Marketing in 30 Days. Read just one chapter in a sitting, no more, and then write down ideas that you can use to improve your business. Now read another chapter the next day and write down ideas. You’ll find you’ll implement some truly great ideas before you’re halfway through the book. Try it.”
—Jon Spoelstra, author of Marketing Outrageously, a Wall Street Journal bestseller

“If you are strapped for cash as a small business or a business professional and want to turbo-charge your marketing, read Guerrilla Marketing in 30 Days."
—Jeffrey J. Fox, bestselling author of How to Make Big Money in Your Own Small Business

From the Back Cover
Start Your Guerrilla Marketing Power Plan

The Father of Guerrilla Marketing, Jay Conrad Levinson, and marketing master Al Lautenslager equip you with a winning 30-day plan to revolutionize your marketing without depleting your budget. Armed with a daily dose of proven guerrilla principles and new and updated tactics and tools, you will reach your marketing goals, jump-start your sales, and watch your profits soar.

About the Author
The late Jay Conrad Levinson is the Father of Guerrilla Marketing. His books have sold more than 21 million copies worldwide, appear in 62 languages and have become the most powerful brand in the history of marketing. He was the chairman of Guerrilla Marketing International. Learn more at gmarketing.com.

Al Lautenslager is an award-winning marketing expert, best-selling author, highly sought-after speaker, consultant and entrepreneur. He is the principal of Market For Profits, a Midwestern-based marketing consulting firm, former president and owner of The Ink Well a direct marketing, printing and mailing company, and a Certified Guerrilla Marketing Coach.

Most helpful customer reviews

9 of 9 people found the following review helpful.
Absolutely Wonderful!!
By ReaderForever
I thoroughly enjoyed and appreciated this book. I have been in business for 10 years and I have a MBA. This book was tremendously valuable to me. I like how the authors put a marketing campaign together in 30 steps. Some steps were not covered as well as others, but it gave you enough information to do your own research if you wanted to use a tactic in more detail. I have used many of these steps over the years and I really like the idea that they were all introduced in one book and in coherent logical steps.

I particularly like using the first few days just to get you and your employees in a marketing frame of mind. One of the hardest things that I have found over the years is to get your employees to recognize that your business is a money-making proposition. This book gave me numerous ways to instill this doctrine in the workplace and I am still using many of them. I must confess that I also work in an Engineering company and I have used some of the concepts just to get people motivated to do their work properly. Marketing a good product can be easy.

I can just say that I give this book an enthusiastic thumbs up, five stars and I plan to evangelize about this book to other business owners as well as continue to use some of these concepts myself.

3 of 3 people found the following review helpful.
Nice find
By Autamme_dot_com
The phrase “you cannot judge a book by its cover” is perfect for this book. At first glance I was sceptical, perhaps the title was just managing to convey the wrong impression. Maybe it was the 30 chapter, 30 day-style as I’ve suffered far too many “self help” and “teach yourself” books that promise the earth and fail to deliver in the past.

As you go through this book it grows on you. Guerrilla acceptance perhaps?

The book promises to give actionable marketing habits for today’s aspiring marketing “guerrillas” in a manageable manner. I personally find such an approach gimmicky and less attractive but this might be a matter of taste. The actual content, when you come to go through it, is more important. There seems to be a seam of gold running through the book and when I did feel some stuff was irrelevant, superficial or just unfocussed it was soon replaced by something that did grab my attention.

This is a book that feels like it is always giving. It can be as “basic” or as “complex” as you want it to be and it seems to act as a great springboard to further thought, reading and action. It feels that it can be suitable for the absolute beginner who has to start thinking about marketing and the more experienced marketeer might find nuggets of good information at the same time. Just looking at the chapter titles can show some of the diversity of this book: the purpose of your marketing, competition and research, positioning, niche marketing, integration, identity and branding, business networking and strategic alliances. There is just a bit of a nagging feeling that towards the end the authors started to flag as some of the remaining chapters began to feel less focussed, relevant and slightly padded.

Yet on the balance of probabilities there was a lot more “plusses” than “minuses” (perceived or otherwise). I enjoyed the style and approach and felt a connection that I was initially sceptical towards. The relatively low price point for this book means that you only need to get a couple of “a-ha!” moments or action points and this reviewer contends that this book is not exactly short of these!

1 of 1 people found the following review helpful.
Marketing Guru!
By Wade Danielson
We had Al on our podcast, The Entrepreneurs Library, to give a full run down of Guerrilla Marketing in 30 Days. He is an educated man and the book is phenomenal! If you want to get a review from the author himself check out Episode 4.

You will want to pick it up immediately!!

See all 13 customer reviews...

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[D543.Ebook] PDF Ebook Principles of Materials Science and Engineering (Mcgraw Hill Series in Materials Science and Engineering), by William F. Smith

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The third edition of this title which has been designed as a core text for a first course in engineering materials. It provides up to date information on structural properties, the processing of materials and their applications.

• Sales Rank: #1678425 in Books
• Published on: 1995-08
• Ingredients: Example Ingredients
• Original language: English
• Number of items: 1
• Dimensions: 9.75" h x 7.75" w x 1.75" l,
• Binding: Hardcover
• 892 pages

Most helpful customer reviews

0 of 3 people found the following review helpful.
very,very good,
By Nathanael Vega
The book is in very good conditions, it's helping my out in my clase a whole lot. Thanks you once again!!

2 of 2 people found the following review helpful.
Good Content, Too Wordy
By A. Jones
Wordy. That's what I would call this book. The content seems good. The practice problems are managable. Covers large amount of material. A one semester college course could expect to cover about a third of it.

See all 2 customer reviews...

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[J789.Ebook] PDF Ebook The Sound of Things Falling, by Juan Gabriel Vásquez

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Don't miss Juan Gabriel Vásquez's new novel REPUTATIONS, available September 2016!
 
* National Bestseller and winner of the 2014 International IMPAC Dublin Literary Award
* Hailed by Edmund White as "a brilliant new novel" on the cover of the New York Times Book Review
* Lauded by Jonathan Franzen, E. L. Doctorow and many others
 
From a global literary star comes a prize-winning tour de force – an intimate portrayal of the drug wars in Colombia.

Juan Gabriel Vásquez has been hailed not only as one of South America’s greatest literary stars, but also as one of the most acclaimed writers of his generation. In this gorgeously wrought, award-winning novel, Vásquez confronts the history of his home country, Colombia.

 

 

In the city of Bogotá, Antonio Yammara reads an article about a hippo that had escaped from a derelict zoo once owned by legendary Colombian drug kingpin Pablo Escobar. The article transports Antonio back to when the war between Escobar’s Medellín cartel and government forces played out violently in Colombia’s streets and in the skies above. Back then, Antonio witnessed a friend’s murder, an event that haunts him still. As he investigates, he discovers the many ways in which his own life and his friend’s family have been shaped by his country’s recent violent past. His journey leads him all the way back to the 1960s and a world on the brink of change: a time before narco-trafficking trapped a whole generation in a living nightmare.

 

Vásquez is “one of the most original new voices of Latin American literature,” according to Nobel Prize winner Mario Vargas Llosa, and The Sound of Things Falling is his most personal, most contemporary novel to date, a masterpiece that takes his writing—and his literary star—even higher.

• Sales Rank: #78953 in Books
• Published on: 2014-06-03
• Released on: 2014-06-03
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .80" w x 5.20" l, .55 pounds
• Binding: Paperback
• 302 pages

Amazon.com Review
An Amazon Best Book of the Month, August 2013: Juan Gabriel Vasquez will draw comparisons to other major Latin American icons. But while the influence of Roberto Bolaño, Mario Vargas Llosa, and Gabriel García Márquez are present throughout his second novel, The Sound of Things Falling, he is a unique literary talent. Translated from Spanish (and exceptionally well, at that), Vasquez moves swiftly and subtly, opening in Bogota, Colombia, reflecting on the mid-’70s when the country was being taken over by drug lords and cartels (fueled by the U.S.’s hunger for cocaine). Law professor Antonio Yammara finds his fate intertwined with that of a shady ex-pilot named Laverde. But Things Falling is so much more than a drug story. This is a sensory novel. Antonio wrestles with the way he interprets by his surroundings, by how the external world affects the internal. “[I]t’s always disconcerting to discover, when it’s another person who brings us the revelation, the slight or complete lack of control we have over our own experience.” The Sound of Things Falling does so much at once: it’s a novel about how the U.S. dangerously influences Latin America, how the present never escapes the past, and how fragile our relationships--romantic and familial--can be. --Kevin Nguyen

From Publishers Weekly
Starred Review. That story is to blame, declares a character in Colombian author Vasquez's latest novel (after The Secret History of Costaguana). Indeed, this book is an exploration of the ways in which stories profoundly impact lives. Around 1996, when murder and bloody mayhem fueled by the drug trade were commonplace in Bogotá, the young law professor Antonio Yammara befriends enigmatic stranger Ricardo Laverde. One night, assassins on motorbikes open fire on the two, killing Laverde and seriously wounding Yammara. Conflicted and at a loss to understand the damage Laverde has wrought, Yammara looks into his life story. Yammara suffers from crippling psychic and physical wounds as a result of the shooting, and his investigation takes him to Laverde's shabby Bogotá apartment, where he receives a gruesome clue from the grieving landlady. Yammara eventually finds Laverde's daughter Maya, a beekeeper who lives in the Colombian countryside. She shows Yammara photos and letters she's collected about the father she never knew. Together they lose themselves in stories of Laverde's childhood; of Maya's American mother, Elaine Fritts; and of Elaine and Laverde's love affair. Vasquez allows the story to become Elaine's, and as the puzzle of Laverde is pieced together, Yammara comes to realize just how thoroughly the stories of these other people are part of his own. Agent: Casanovas & Lynch Agencia Literaria (Spain). (Aug.)

From Booklist
*Starred Review* Ricardo Laverde does the one thing he must do—“A person doesn’t have to do anything but die”—cut down in the streets of Bogotá by the same drug lords he once served as a pilot. But in dying, Ricardo leaves behind a billiards-room acquaintance, Antonio Yammara, who lives with an ugly scar from a bullet fired by Ricardo’s assassins and with the daunting task of deciphering the hidden meaning of Ricardo’s life. Through the literary magic of one of Latin America’s most talented novelists, readers share that task with Antonio, probing the violence and fear spawned by the cruelly protracted drug war in which Ricardo perishes. Insistently pressing Antonio for the story behind Ricardo’s death is Maya Fitts, daughter of Ricardo and Elena Fitts, an American Peace Corps volunteer who long hides from her daughter the very existence of her criminal father and who herself dies aboard a plane taking her back to Colombia. As readers join Antonio and Maya in listening intently to the black-box recording from that plane, they will marvel at how Vásquez fuses past and present, hope and despair, in one unforgettable moment. A deft translation delivers the searing trauma and the tender intimations of a masterpiece. --Bryce Christensen

Most helpful customer reviews

159 of 167 people found the following review helpful.
"So you fell out of the sky too!"
By Jill I. Shtulman
My, oh my - what an incredible novel. This is the kind of novel that made me brush everything aside and read voraciously, devouring every single word and dreading arriving at the end. Yes, it's that good!

Set in Bogota, Colombia, our narrator, Antonio, becomes twinned to an enigmatic and shadowy ex-pilot named Ricardo Laverde, whom he meets in a Bogota billiard hall. Ricardo has been imprisoned for many years for reasons that take time to be revealed. (The refrain is: "He must have done something.") Antonio is with Ricardo during a drive-by motorbike shooting that ends one life and destroys the other.

What follows is one of the most harrowing descriptions of PTSD I've read as Antonio lives in terror of everything. The only salvation for him is to uncover the facts behind the life of the mysterious "ghosted" Ricardo and Colombia's ignoble past.

That is only the early foundation of this book. It touches on many themes: the tentacles of the drug business in Colombia and how one person's actions can have a boomerang effect on so many others. How it feels to live with a "terrible awareness of my vulnerability" - where planes fall from the sky, where bullets fell the innocent, where memories burst out of nowhere to transform and paralyze those who live through it.

As Antonio reflects on the unsuspected intensity of his memories, which are "just now beginning to emerge like an object falling from the sky", he thinks: "My contaminated life was mine alone: my family was still safe: safe from the plague of my country, from its afflicted recent history: safe from what had hunted me down along with so many of my generation (and others, too, yes, but most of all mine, the generation that was born with planes, with the flights full of bags and the bags of marijuana, the generation that was born with the War on Drugs and later experienced the consequence)."

I must note that Mr. Vasquez does not place the drug war as front-and-center of his book; rather, his purpose is to display how things fall apart in a world that forces good people to relinquish their own feelings of control. As we fall out of the sky, only redemptive love can save us. By the end of the book, I had tears in my eyes from the sheer power of the writing. Kudos to Anne McLean for a beautiful translation of a must-read book.

104 of 119 people found the following review helpful.
Deep and thoughtful, but dense.
By DanD
Juan Gabriel Vasquez's THE SOUND OF THINGS FALLING is an intriguing, if slow, look into Columbia's past and present. It begins with a story of an escaped hippo--a fugitive from a zoo belonging to drug kingpin Pablo Escobar. What fallows is an investigation into Columbia's recent, violent past, figure-headed by Antonio Yammara, who once saw an acquaintance of his get gunned down right before his eyes.

There's a lot going for THINGS FALLING: lush prose, a rich backstory, and a truly interesting subject matter. However, instead of getting lost in the prose, the reader often hits a brick wall--a points, this feels more like thinly-disguised journalism. It's as though Vasquez either couldn't decide what to write (fiction or nonfiction), or chose to create a hybrid of the two. (Most likely, the latter.) While the idea is interesting, the book may have been better if the nonfiction accents were either toned down, or enhanced (i.e., a solid work of nonfiction). As is, this is a novel for some, but not all. Those who sink their teeth into it, however, will certainly come away with something worthwhile.

94 of 108 people found the following review helpful.
Epic, haunting and beautifully written
By Leslie N. Patino
Juan Gabriel Vásquez's "The Sound of Things Falling" is epic, haunting and beautifully written. I read an article about it in "Time" magazine on July 31st, one day before the novel's English release. Within twenty-four hours, I had read the entire book.

"Falling," as some people have referred to it in English, is the story of Antonio Yammara, a 29-year-old, university law professor in Bogotá, Colombia who has always excelled intellectually. His comfortable, carefree world is soon blown away. First, a former student turned lover announces she's pregnant and carrying his child. At the same time, Antonio, who plays billiards to unwind, has sort of befriended an enigmatic older player. Ricardo Laverde has shared a few intriguing bits of his life, mostly in a woozy state over drinks. One afternoon, as the men walk along a street after leaving the billiards hall, they become the targets of a drive-by motorcycle shooting. Ricardo is killed. Antonio is seriously wounded--physically and mentally. For Antonio, several years of PTSD follow and a long journey to discover the secrets of his acquaintance. The story covers some eighty years of real-life Colombian history and the personal lives of several generations of fictional families.

To fully appreciate "Falling," it helps to have some knowledge of Colombian history and culture and of the tremendous impact of the drug cartels over the last half century. If you don't have that, Wikipedia can pretty well fill in the gaps. In 2011, I spent a week in Bogotá. I visited bookstores and asked for current best-selling novels (in Spanish). I read two of three books I bought and the third one--most highly praised by the sales' assistant--languished in the "someday" pile. Guess what it was?

I pulled it out yesterday afternoon and cut away the cellophane wrapping, typical in Latin America. "Falling" won the 2011 Premio Alfaguara, one of the highest honors in Spanish-language literature. Some of the most prestigious writers in Latin America sit on its panel. I could relate to Elaine, the idealistic American who went off to Colombia and to change the world in her youth. I went to Mexico. My story is less dramatic. Mexico's story today is Colombia's in the 1980's and '90's.

If you want to truly understand the global impact of "recreational" drugs in the U.S. and what the future holds, "The Sound of Things Falling" is a great place to start. It may not pop up in your dreams, but it did in mine last night.

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• Sales Rank: #5945286 in Books
• Published on: 1800
• Binding: Paperback

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With this extraordinary first volume in what promises to be an epoch-making masterpiece, Neal Stephenson hacks into the secret histories of nations and the private obsessions of men, decrypting with dazzling virtuosity the forces that shaped this century.

In 1942, Lawrence Pritchard Waterhouse—mathematical genius and young Captain in the U.S. Navy—is assigned to detachment 2702. It is an outfit so secret that only a handful of people know it exists, and some of those people have names like Churchill and Roosevelt. The mission of Waterhouse and Detachment 2702—commanded by Marine Raider Bobby Shaftoe-is to keep the Nazis ignorant of the fact that Allied Intelligence has cracked the enemy's fabled Enigma code. It is a game, a cryptographic chess match between Waterhouse and his German counterpart, translated into action by the gung-ho Shaftoe and his forces.

Fast-forward to the present, where Waterhouse's crypto-hacker grandson, Randy, is attempting to create a "data haven" in Southeast Asia—a place where encrypted data can be stored and exchanged free of repression and scrutiny. As governments and multinationals attack the endeavor, Randy joins forces with Shaftoe's tough-as-nails granddaughter, Amy, to secretly salvage a sunken Nazi submarine that holds the key to keeping the dream of a data haven afloat. But soon their scheme brings to light a massive conspiracy with its roots in Detachment 2702 linked to an unbreakable Nazi code called Arethusa. And it will represent the path to unimaginable riches and a future of personal and digital liberty...or to universal totalitarianism reborn.

A breathtaking tour de force, and Neal Stephenson's most accomplished and affecting work to date, Cryptonomicon is profound and prophetic, hypnotic and hyper-driven, as it leaps forward and back between World War II and the World Wide Web, hinting all the while at a dark day-after-tomorrow. It is a work of great art, thought and creative daring; the product of a truly iconoclastic imagination working with white-hot intensity.

• Sales Rank: #19603 in Books
• Brand: Avon
• Published on: 2002-11-05
• Released on: 2002-11-05
• Original language: English
• Number of items: 1
• Dimensions: 6.75" h x 1.75" w x 4.19" l, 1.17 pounds
• Binding: Mass Market Paperback
• 1168 pages

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• Great book!

Amazon.com Review
Neal Stephenson enjoys cult status among science fiction fans and techie types thanks to Snow Crash, which so completely redefined conventional notions of the high-tech future that it became a self-fulfilling prophecy. But if his cyberpunk classic was big, Cryptonomicon is huge... gargantuan... massive, not just in size (a hefty 918 pages including appendices) but in scope and appeal. It's the hip, readable heir to Gravity's Rainbow and the Illuminatus trilogy. And it's only the first of a proposed series--for more information, read our interview with Stephenson.

Cryptonomicon zooms all over the world, careening conspiratorially back and forth between two time periods--World War II and the present. Our 1940s heroes are the brilliant mathematician Lawrence Waterhouse, cryptanalyst extraordinaire, and gung ho, morphine-addicted marine Bobby Shaftoe. They're part of Detachment 2702, an Allied group trying to break Axis communication codes while simultaneously preventing the enemy from figuring out that their codes have been broken. Their job boils down to layer upon layer of deception. Dr. Alan Turing is also a member of 2702, and he explains the unit's strange workings to Waterhouse. "When we want to sink a convoy, we send out an observation plane first.... Of course, to observe is not its real duty--we already know exactly where the convoy is. Its real duty is to be observed.... Then, when we come round and sink them, the Germans will not find it suspicious."

All of this secrecy resonates in the present-day story line, in which the grandchildren of the WWII heroes--inimitable programming geek Randy Waterhouse and the lovely and powerful Amy Shaftoe--team up to help create an offshore data haven in Southeast Asia and maybe uncover some gold once destined for Nazi coffers. To top off the paranoiac tone of the book, the mysterious Enoch Root, key member of Detachment 2702 and the Societas Eruditorum, pops up with an unbreakable encryption scheme left over from WWII to befuddle the 1990s protagonists with conspiratorial ties.

Cryptonomicon is vintage Stephenson from start to finish: short on plot, but long on detail so precise it's exhausting. Every page has a math problem, a quotable in-joke, an amazing idea, or a bit of sharp prose. Cryptonomicon is also packed with truly weird characters, funky tech, and crypto--all the crypto you'll ever need, in fact, not to mention all the computer jargon of the moment. A word to the wise: if you read this book in one sitting, you may die of information overload (and starvation). --Therese Littleton

From Library Journal
Computer expert Randy Waterhouse spearheads a movement to create a safe haven for data in a world where information equals power and big business and government seek to control the flow of knowledge. His ambitions collide with a top-secret conspiracy with links to the encryption wars of World War II and his grandfather's work in preventing the Nazis from discovering that the Allies had cracked their supposedly unbreakable Enigma code. The author of Snow Crash (LJ 4/1/92) focuses his eclectic vision on a story of epic proportions, encompassing both the beginnings of information technology in the 1940s and the blossoming of the present cybertech revolution. Stephenson's freewheeling prose and ironic voice lend a sense of familiarity to a story that transcends the genre and demands a wide readership among fans of technothrillers as well as a general audience. Highly recommended.
Copyright 1999 Reed Business Information, Inc.

From Booklist
Stephenson follows his startlingly original Snow Crash (1992) and The Diamond Age (1995) with proof that he can do as well at twice the page-count, and not only that, but with the promise that this immense volume begins a saga that may rival Robert Jordan's Wheel of Time in its eventual proportions. Volume one, then, is the well-told tale of a World War II code breaker whose descendants end up trying to track down the secrets of the Third Reich's cryptographers--secrets that may liberate or ruin the cybertech world of the present day. Stephenson mixes historical and contemporary settings, handling both with great skill, as he presents a large cast of vividly imagined characters, notably including the original code breaker's granddaughter, and makes both the tale's technology and its conspiracies highly believable. His choice to tell the entire story in the present tense rather calls attention to itself, and, given a book nearly 1,000 pages long, every word is not really essential. Still, this is a book that should be bought for the sake of saying that you have it and read, however long that takes, for the pleasure and intellectual stimulation it is likely to give to most readers. Imagine Tom Clancy turning to cyberpunk, and you have some idea of its broad potential appeal. Roland Green

Most helpful customer reviews

147 of 153 people found the following review helpful.
Not Just For Cyberpunk Fans
By Paul C. Roethele
Neal Stephenson's latest book, Cryptonomicon, will appeal to a wider fan base that his previous novels. Having read all of Stephenson's previous novels (with the exception of the elusive The Big U) I was surprised to find this book lacking in ultra-futuristic technology, and presented as more of a straight war story/business suspense novel. As usual, Stephenson's character development and prose is amazing, and if you work in high-tech or mathematics you will instantly realize how well Stephenson knows the personalities of these people. As with Snow Crash, the book takes a while to get up to speed, but once it does you'll find yourself not wanting to put it down. As other reviewers have mentioned, there are many potentionally confusing plot twists, so the reader must pay close attention at times or risk getting lost. Stephenson also gives a thorough grounding in the mathematics of cryptography, although the pages of formulas and explanations can thankfully be skimmed by the mathematically-challenged (like myself) without losing the story. The book also doesn't fall apart towards the end as many thought Snow Crash did - in fact, at one point you will smack your forehead when you realize how everything fits together, and you can't wait to see how it ends. Overall, an excellent read.

194 of 210 people found the following review helpful.
A joy to read. . .
By Nathan
Going in to CRYPTONOMICON, I had absolutely no idea what to expect. I'd never read anything by Neal Stephenson, nor had I read any blurbs or reviews of the book. However, it had appeared on enough "Best Book" lists that I decided to give it a try. And boy am I glad I did.
This novel is fun, huge, funny, rambling, witty, and sprawling. It is clever, engaging, and well-paced. It is full of quirky, eccentric, immensely likeable characters, crazy, interesting ideas, and amusing, often hilarious, looks at various situations including, but not limited to, mathematics, life, how to eat Cap'n Crunch properly, the purpose of beards, and well, just about anything else you can think of. Obviously, then, this book is not for everyone. Those who like tight, meticulously pared-down straightforward stories may not be able to get into this one.
For me, though, as you may have guessed from the title of the review, this book was an absolute joy to read. The books chapters cycled between four main characters, and every time I finished a chapter I found myself in an awkward position: I didn't want to go on, because I wanted to keep reading about the character I'd been following. However, by the end of the first paragraph of the next chapter, I'd be feeling the same way about the next character in the cycle. It was an odd feeling, and a tribute to the skill with which Stephenson created these characters that each of them was so completely engaging.
In addition to the main characters, the settings and situations were vivid and well-drawn. Despite this books immensity and its tendency to ramble at length about inanity, it never got boring, and always retained its charm. Stephenson provides us with a very amusing outlook on life.
However, this book is not without flaws, the two biggest of which have been noted in previous reviews:
1) Women. There are no really well-developed female characters. Most of the women have virtually no "screen time" at all, and the one who does have quite a bit of time is not fully realized as a character. It would have been very helpful to have gotten inside her head once in a while.
2) The ending. This book kind of just ends, without resolving properly. It feels like it just cuts off, and that was kind of unsatisfactory. Randy's story deserved at least another chapter or an epilogue of some sort to tie-up the plot. Alas, Stephenson, at the end, couldn't deliver.
So, as I've said, this book is delightfully readable, and if not for the sudden ending, would easily have garnered a 5/5 rating. I'm definitely looking forward to the next CRYPTONOMICON book (which, if I'm not mistaken, is intended to stand alone; it will not be a sequel, per se).

0 of 0 people found the following review helpful.
A Literary Rubik's Cube
By Bradley West
When "Cryptonomicon" came out in 1999, this sloppy masterpiece opened writers' and readers' minds as to the possibilities of time-jumps and maximum parallel plot lines in contemporary (non-science) fiction. I've read the book twice now, most recently earlier this year. The first time I was swept away by the triple-plus plot and three-books-in-one approach. So much so, I loosely patterned my first novel along similar kitchen-sink lines though, crucially (mercifully?), "Sea of Lies" takes place over eight days and not fifty years. Stephenson can really tell a story, and builds tension with those cuts among complementary plot lines from WWII through to the present. He's one of the very best at doing so, and his firsthand research lends additional credibility.

My major criticism is that Neal's editor was on vacation when he submitted this manuscript. It's about 1000 pages instead of being an 800 page gorilla. But what's there is so good that the reader plunges on regardless to find out what happens next to the Waterhouses and Shaftoes (e.g.). I particularly enjoyed reading Stephenson's take on the breaking of the Enigma codes at Bletchley Park and the fate of the Philippines gold.

Stephenson went on to write many other books, but I think his three strongest were "Snowcrash", "Diamond Age" and this giant semi-polished gem.

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• Published on: 1997-04-30
• Binding: Paperback

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Funerary Sculpture is the first volume on sculpture from the Agora in over 50 years, bringing together all the sculpted funerary monuments of the Athenian Agora, Classical through Roman periods, which were discovered during excavation from 1931 through 2009. The wide chronological span allows the author to trace changes in funerary monuments, particularly the break in customs that took place in 317 B.C., and the revival of figured monuments in the Roman period.The study consists of three essays followed by a catalogue of 389 objects. The author places the Agora sculptural fragments within the greater context of Attic funerary sculpture, moving from a general to a specific treatment of the funerary sculpture. The first essay is an overview of the study of Attic types of sculpture; the second discusses the specific features of funerary sculpture from Athens and Attica; and the third examines the characteristics of the funerary sculptures found in the Agora, thereby forming an introduction to the catalogue that follows. The catalogue includes stelai and naiskoi with female and/or male figures, sirens, decorative anthemia, funerary vessels, lekythoi, loutrophoroi, animals, mensa, columnar monuments, and more. There are separate indexes of museums, names, demes, places, and findspots, as well as a general index.

• Sales Rank: #3143744 in Books
• Published on: 2014-01-31
• Original language: English
• Number of items: 1
• Dimensions: 12.32" h x 1.06" w x 9.29" l, .0 pounds
• Binding: Hardcover
• 248 pages

Review
Overall, this book is a real treasure trove for students and researchers working in the field of funerary sculpture. With her careful separation of facts from interpretation, her concisely expressed critical evaluations and comments, Grossman provides an excellent foundation for future research. There are no fancy or fashionable theories or wild speculations to be found here: instead, profiting from 20 years of work on this material, she has presented a timeless scholarly book which will no doubt be consulted for many years to come. (Anja Slawisch, German Archaeological Institute, Istanbul Bryn Mawr Classical Review)

About the Author
Janet Burnett Grossman is Assistant Curator of Antiquities at the Getty Museum.

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• Sales Rank: #15090329 in Books
• Published on: 1900
• Binding: Paperback

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Glory is the wryly ironic story of Martin Edelweiss, a twenty-two-year-old Russian émigré of no account, who is in love with a girl who refuses to marry him.  Convinced that his life is about to be wasted and hoping to impress his love, he embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919.  He succeeds--but at a terrible cost.

• Sales Rank: #292652 in Books
• Published on: 1991-11-05
• Released on: 1991-11-05
• Original language: English
• Number of items: 1
• Dimensions: 8.00" h x .50" w x 5.10" l,
• Binding: Paperback
• 224 pages

Review
He did us all an honour by electing to use, and transform, our language. Anthony Burgess Nabokov can move you to laughter in the way that masters can - to laughter that is near to tears. The Guardian

Language Notes
Text: English (translation)
Original Language: Russian

From the Inside Flap
Glory is the wryly ironic story of Martin Edelweiss, a twnety-two-year-old Russian emigre of no account, who is in love with a girl who refuses to marry him. Convinced that his life is about to be wasted and hoping to impress his love, he embarks on a "perilous, daredevil project"--an illegal attempt to re-enter the Soviet Union, from which he and his mother had fled in 1919. He succeeds--but at a terrible cost.

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32 of 32 people found the following review helpful.
The Most Ironic Title in Literature
By Gio
Edelweiss? Noble White, the shy alpine flower that so quickly vanishes after spring. Are we readers to look for meaning in Nabokov's choice of the name Martin Edelweiss for his focal character? A good deal is said about the name early in the book, and we're reminded of it at crucial moments throughout. Just a few pages of Nabokov's so-carefully-crafted prose inclines this reader to suppose that nothing in "Glory" is merely incidental, that every detail is laden with pertinence. Whatever else one says about this novel, the first fact is that it's gloriously written. Every sentence snaps the reader's mind into focus. Every description is a poem in itself. Every characterization is a full dramatic portrait of individual flesh and blood.

Martin Edelweiss is a frivolous young man embedded among Russian emigres utterly trivialized by the Bolshevik Revolution, about which we hear only frivolous rumors and reports in ephemeral newsprint. The only position Martin's querulous society seems to take toward the momentous events in their homeland is to wish they hadn't happened, but make no mistake, this a novel about the Revolution, seen through a lens of irrelevance. This is also a novel about the meaning of being Russian, though Nabokov conveys his meaning through the subtlest indirection. There's no ambiguity whatsoever about the ending of the novel. The meaning is as clear as plasma and as ominous as a drum-roll to a prisoner awaiting execution, but I do not choose to pre-empt anyone's reading excitement by declaring the obvious.

At the same time, "Glory" is a coming-of-age novel, similar to other such novels about young men going off to college. Scott Fitzgerald's "This Side of Paradise" and E.M. Forster's "The Longest Journey" might offer interesting comparisons. In all three, a sensitive young man confronts the tawdriness of the intellectual life, slips into depression over his own mediocrity, falls hopelessly in love with a disdainful beauty while at the same time exploring lust with more accessible lasses, and wrestles with the identity of a seemingly more well-prepared friend. Martin, however, isn't a titan waiting to be awakened to his own worth at the end of the novel. Nabokov takes pain to show us that Martin is NOT a poet, not a budding genius of any sort, just a modestly intelligent everyman of no particular bent. In fact, Martin's only talent seems to be at tennis. Like a young George Orwell, Martin stumbles into a brief romance with the simple life of honest toil, dwelling incognito for a 'chapter' in a wine-growing village in southern France. But, like most of Martin's experiences, this pastoral interlude sinks quickly into the chasm of memory. Above all, this is a novel about memory. It begins with Martin's memories of childhood. Martin's perceptions are all foreshadowed, and his actions are all predetermined, by his memories. Even the passing moment is no more than a memory.

Martin doesn't tell his story in the first person. Nabokov clings to Martin's shoulder like a personal daemon, or to be blunt, like a 19th C omniscient narrator. When suddenly, in the last chapter, the novelist shifts his perch to another shoulder, it's both a brilliant literary trick and a lucid statement of Martin's fate.

"Glory" is a translation from Russian of an early novel by a writer who went on to create far more famous books in English. Perhaps that explains why it's less widely read than the Forster or Fitzgerald novels mentioned above. It's the best book of the three by far, and proves beyond a doubt that Nabokov could write traditional narrative as brilliantly as the more idiosyncratic interior surrealism for which he is famous.

15 of 15 people found the following review helpful.
Glorious!
By Jerry Clyde Phillips
I always pick up one of the "Russian" novels by Nabokov with a certain thrill of anticipation. Not only is the reader about to be thrust into the Russian emigre population that moved into the large European cities following the Revolution of 1917, but is also to me made party to the evolving literary genius of the young Nabokov.
In this book, which the author describes as soaring "to the heights of purity and melancholy that I have only attained in the much later Ada," he deals with the themes of alienation and the romantic musings which accompany the lives of the lonely and unspectacular individuals who make their way through this world. For Martin Edelweiss, the main character of the book, life has become a series of romantic possibilities: "a necklace of lights" seen from a train in the French night, the woman who throws a brief glance in his direction, footpaths dissolving into a forest - all these become possible "gallant feats," if only in his mind.
Although Nabokov downplays the similarity between the background of Martin and his own, there is a great deal in this book that is autobiographical. The author's years of emigre life in various European cities, his university days at Cambridge, and his period of manual labor in the south of France all find their way into this novel. Perhaps because of the author's emotional involvement with the book, Glory brings to life a softer Nabokov, one who is content to let the book follow its own winding path and who refrains from interjecting the tautness of his earlier efforts.
As a stylist, Nabokov is incomparable and to read one of his books is an experience of sheer wonder. If this book does not rank with his highest achievements, it certainly demonstrates a more mature author at work, one who is on the brink of greatness.

0 of 0 people found the following review helpful.
This isn't my favorite novel of his--not by a long chalk
By A radar
I have read all of Nabokov--the letters, The Tragedy of Mr Morn, the lot. This isn't my favorite novel of his--not by a long chalk. But it is engrossing, and beautiful. Perhaps the most quasi-autobiographical (and you MUST read Speak, Memory, the autobiography, AND Brian Boyd's masterly two-vol bio), as Martin greatly resembles young V. and goes to Cambridge and is rather an aesthete (but without, unlike his creator, an artistic outlet). Poetic passages, with purple piping, abound. Not one of the great tomes--Pale Fire, Lolita, Despair, and the aforementioned Speak, Memory... but UP there for sure. Don't miss it. Esp. if you are about to visit the continent--or hankering for it!

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